【论王国维-隔-与-不隔（Wang Guowei - - and - not every segment）】

　 论王国维的-隔-与-不隔（Wang Guowei - - and - not every segment）

　Wang Guowei in "on the new language input" on the etymology of intuition is analyzed, he said: husband intuition, feeling that my heart is listening, facial intuition, smell, taste, touch, in effect with additional features for the role of the heart, intuition all that, not only the head of the view....... However, the view is not satisfactory. However, in terms of, also have the disease, not only the target language. Intuition for the in and tuitus from the Latin language two. Tuitus, view means also. Cover the role of the view, in the five facial features for the most important, so it was taken by the perception of his official, and in the name of the most important, the name also. 7 (P532) at the time, the concept of western culture and the influx of Chinese, not appropriate translation is inevitable, used by Wang Guowei's intuition and intuition refers to the intuition. The intuition in Spanish in two aspects, one is the verb intuit, it refers to the dynamic and intuitive process; the other is the noun intuition, it has two aspects, one is a verb noun, that is intuitive process of abstraction, on the other hand can be formed in the mind through sea intuition intuition, intuition is a combination of perception and intuition, expressed by perceptualintuition in English, while Kant and Schopenhauer have used a unique concept of Anschauung in German, now as the interpreter "intuitive" verbs, the German word for Anschauen, it can be divided into verbs, an the preposition (equivalent to at in English), sehauen is the "see" (with English Show), so the root verb Anschauen translated into English should be lookat, Anschauung in English without a word of words to match, only in terms of intuition, here is the alternation of intuition and intuition. Anschauung in Kant and Schopenhauer later by the Italy philosopher Croce inherited, formed by intuition (intu - ition) system, as the core of the aesthetic ideology theory, Kant and Schopenhauer can put Anschauung on intuition as. In "schopenhaoer" in other words, Schopenhauer is the use of high frequency is Kontemplation, the word has to think, Wang Guowei's translation is through contemplation, Guanshen. "". Like "attentively observing," so Mr. Zong Baihua put the word "critique of judgment" in the translation of "18J" (P40). I think that "trial by trial" refers to the attitude of the subject, and intuition is the intermediary of the relationship between things, only in the trial and trial conditions, intuition can happen. Eastern nations are more focused on intuitive knowledge than in the west, in the tradition

　National aesthetics regards beauty and universe as the highest realm of life. The essence of the universe is Lao Tzu preaching, is unaware of the matter, can not be named, the so-called "road to road, very road" and Bergson's intuitionism

　"Stretching" is very similar, so how can we recognize Tao, and Lao Tzu believes that only through "view"?". This "view" is intuitive knowledge. Watch the way to eliminate Yuen Kam, that is to remove all distractions, "empty, Benedict Shou Jing, for everything and I take the view of its complex". 9 (P65) Chuang-tzu will play this as "my heart in the beginning". 10 (P712) because people and all things in the "beginning", and is so, life all blend into one harmonious whole, things in the "travel" must be completely forgotten, he said: "now when God ministers to meet but not by visual knowledge and for those whom God wishes, officer." [10] (P119) divine encounter is intuitive activity. When Buddhism was introduced into China, "Enlightenment" was used to supplement the concept of "view." Results. Minamine Tongo said that in a matter of fact, it was a bit like the so-called "inspiration", but in essence it was the result of intuition.

　Wang Guowei speaks of literature and philosophy at the same time, pointing out: "the fundamental problem of life in the universe, but the method of interpretation has always been philosophical and thinking; an epiphany, a rational ear."." [7] (P649) Wang Guowei explained the point by unifying intuition and insight as a distinction between literature and philosophy. Wang Guowei paid more attention to the rational analysis in his history and archaeology, and emphasized the experience, the intuition, the promotion of Epiphany, and the rise from intuition to the realm, which is different from Croce. Kant's theory of intuition inherited by Croce in the west, in the East is the successor to Wang Guowei, although his activities in the piccolo

　Qi Qi, but his aesthetic thought is more profound than Croce's.. Croce went from intuition to intuition, although he created the new language of "Express", and in fact his "performance" was his intuition. Wang Guowei begins with intuition, up to the state, up to the beauty of art, and the Chinese intuition rather than by intuition for the purpose of the traditional philosophy, so the kingdom of Vinda to Croce and modern western aesthetics can not reach the height of. Since "intuition" is a universal way of understanding, we call the intuitive activities of people in aesthetic activities as aesthetic intuition. Aesthetic intuition is the condition of aesthetic feeling, and runs through aesthetic feeling all the time. Its characteristic: first, aesthetic intuition is pure, not borrow any concept, there is no standard, no contact, in this process, I do not know what I, what is. Second, the purpose of aesthetic intuition is not intuition, but beauty itself. Third, the process of aesthetic intuition must be accompanied by pleasure, otherwise it is not aesthetic intuition, Wang Guowei pointed out: "the only category is"

　It is the purest pleasure of man to forget his own good, and to enter into the realm of purity and purity." 11 (Yan 51) a rational understanding of intuition and by means of the concept of opposite Wang Guowei, and that the above intuition concept analysis, he said: "it can be called the first intuitive concept, and the concept is the second concepts, and books

　For the matter, but the supply of second kinds of ideas, not a direct Gou, but know the concept, but about knowledge; to know one thing and the relationship, will not be directly after, words can also help." 73 (M) and intuitive knowledge are higher than the concept of knowledge, so in the aesthetic realm, aesthetic intuition is also higher than that of natural aesthetic judgment, if people get from the art of "beauty" and not intuitive to, then this "beauty" is a product of man's concept of judgment. Further, this is not beauty, but only second forms of beauty, namely "classic elegance", which is composed of the concept, it is through aesthetic intuition to a layer of low beauty. The object of aesthetic intuition is not limited to art, but to the view of nature. 63, ten thousand data pictures are more aesthetic intuition, and natural beauty is through aesthetic intuition

　Achieved. Because of Wang Guowei's theory of intuition to study beauty, so beautiful on the opposite side is no longer "ugly", beauty is the aesthetic form through aesthetic intuition in instantaneous occupied and full of human consciousness, the result is that people from the will, reach the harmony of me. "Beauty" as a kind of existence, beauty is the opposite, such as obscene poems, vulgar words, "county" beautiful figure, but these are not ugly, Schopenhauer called "obsequious beauty" (Reizende), Wang Guowei's translation of "dazzle". "Ugly" belongs to the category of "classic elegance", and should be relatively. Wang Guowei said the state is based on the intuition theory, in "human words", he further intuition theory to practice in literary criticism, put forward the "isolation" and "undivided" criticism standard. Two, separated and non separated "divided" and "the undivided", is Wang Guowei's theory of intuition in the practice result, this concept is an important category in the system of literary theory. The theory of contemporary academic research in Uighur Kingdom also has many articles about this category of,

　However, opinions are quite different and mixed. Taking Mr. Zhu Guangqian as the representative, he holds a positive attitude towards "no separation", and holds a negative attitude towards Wang Guo Wei's theory of "separation" (not "separation" itself), and even argues that "separation" should be analyzed concretely. Zhu Guangqian from the poem "implicit and explicit" of the relativity of criticism on Wang Guowei "separated" bad attitude. [12] (P56) "1" this point, Mr. Ye Jiaying has put forward a sharp criticism of it, pointing out that using "hidden" and "obvious" to set "separation" and "do not separate" is inappropriate. 13 (P248 - 261) on behalf of Mr. Li Zehou to support the "isolation" and "undivided" boundaries and the criticism standard, that is "undivided" "image, the real life is visible to the specific sense form showing in front of people," the words in the "." 14 (P162) on the study of "isolation" and "undivided" understanding, some people will be limited in language study, such as Mr. Ye Lang said: "from Wang Guowei's own words," isolation "and" not separated "distinction, and not from the" image ("Mr. Zhu said the" image 'equivalent to what we said today, representations of taste and see the relationship), but see from the relationship between language and image on." [15] (P619) this makes sense, but it is not comprehensive. Because the word "realm is the uppermost", the creation of poetry is actually the creation of beauty. For the beauty of nature, people must grasp it through intuition, and the same is true of artistic beauty. I discuss in Wang Guowei's "writing environment" and "context" has pointed out that the creation of the poet is the first poet's experience to promote the creation, the feeling is the feeling of "beauty", so to arouse the poet aesthetic feeling beauty "to engrave the immortal words" is the art of poetry creation to 16 (a P14. Poetry is the depiction of beauty, if not before the poets and nature through aesthetic intuition and harmonious unity, so that his work is difficult to arouse the reader's aesthetic feeling, because in his works there is no realm. Another case, 64 is the poet of natural beauty has been deeply felt, but he is in the creation of "the catch", a misnomer, which works to the readers, readers cannot intuitionistic its realm, the two cases in the premise of intuition theory system they are called "isolation". What is "no separation"? Wang Guowei said: "the language is in the present, it is not separated."." 17 ("only" words "in the present", people can grasp it by intuition, if not in the "current", you have to use "eye" to search through the "eye" of the search, the language had entered the people's consciousness, this is a progressive process in the consciousness of "language" is not "instantaneous" occupy people's consciousness, therefore, is not a thing, and also missed the "realm", also "separated", "language in the" meaning, through the language consisting of images do not need more rational analysis of this "language" is the image of human intuition, from language to image to the beauty of the process is instantaneous, only so, poetry in unestrangement". The creation of poetry, the first poet in relation to perception, the poet must have a clean scale in this way, by intuition utter innocence, he can

　Enough to see the essence of the universe and life of Wang Guowei's words: "on this early dry persistent rain on the leaves, the water clear round, one wind lift." Cloud: "this really gets the God of burden."." 17J (P22 'rating jiaxuanci: "poor Jinxi month, where to go to long? Is there to see the scene, like another world, dongtou." The poet said: "imagine the earth grasp it tightly with science, God is realized." ElT (E55) even if it is "making the environment", the poet's image in his own mind must be grasped by intuition, so that the situation and the situation he wrote can not be distinguished from the readers.

　If the poet is not grasped by the pure aesthetic intuition of the scene at sight, his writing is actually equivalent to the creation. So the "Dongpo poplar word, like the original rhyme and sing; Chapter foundation words, original and rhyme like singing." 17 P28 ("secondly, poetry is also related to the ability to express the poet is whether he can make their diction problems. On this issue, Wang Guowei proposed to use alternative words, such as a peach with red, Liu Lang, Liu Taiwan, in chapter "should be replaced by Ba bank, which is the" summary "are ridiculed also". 17 (P11 'the reason is: "do not cover Miao language, Italian foot is too busy generation." 171 (P10) shows that the poet is one aspect of your ability to feel, expression is an important aspect of words can influence the readers feel, what is the word generation, which makes the intuition into thoughts, therefore, the poem will "separated". To not love I in isolation, must write real feelings, even as the "old house for advocating female, the prodigal son daughter-in-law swing, do not return, the empty bed alone to" this poem, because of its truth, although prostitution can also make "reading but feel the touching Shen zhi." E17 (P102) in the landscapes, naturally, Wang said: "more to view of poetry, history, and a sense of nostalgia is a gift, the title, with the full

　In poetry, and lyric, narrative, and Bai can not get one, it has the value of art, only one of its natural beauty of the ear." 7 (P537) that seems a bit too much, but Wang did the beauty of nature, and the natural beauty of the picture must be "naturally" to describe, Wanfang Data he is respected for its Nalanxingde "natural eye view".

　Therefore, the scenery will be natural, even to love "with the tongue of the natural romantic". So, Wang Guowei in the "human words" forty-first said: "students less than 100, Chang Huaiqian aged care. Bitter day short night long, why not a tour?" "Praying to gods, for medicine by mistake, as the wine, Wan and clothing." Love is so, not every. "Picking chrysanthemums Dongli, leisurely to see the mountain, mountain air good birds also." "Days like Qionglu, energy-saving, cangcang days, the vast field, low wind and see grass and sheep." This is not every scenery. [P72] of course, scenes can not be completely separated, but in terms of the realm of expression, whatever description is necessary, it must be true and natural. Wang Guowei opposes the use of words, but not against allusions and personification, as he said "Bai Shi" Cui Lou Yin "" here, should have the word Xian, embrace cloud Huang, and the king of the game. For a long time staring at the jade staircase, luxuriant fragrant grass, with thousands of miles. " It is not separated." 17 (RI) here is obviously a lot of allusions. This shows that through ancient realm as long as borrowed or not, just perfect, and this, Jiaoran "thing" on similar, but those for using them, in allusion to display knowledge of course to the opposition. Wang Guowei Jiang Baishi's "24 bridge is still in the heart, wave swing, Lengyue silent", "the number of peaks slightly hard, taking evening rain", "high Shuwan cicada, said the news of the west wind" as though "Geyun is extremely high, so

　Such as smoke and mirrors, a final layer". 17 P67 ("someone that Wang Guowei opposed personification, in fact, such as Wang Guowei's appreciation and explain

　The realm of the poem "spring awakens Apricot Branches", "cloud breaking flower Lane shadow" in the "downtown" and the word "get" word can be said to be a personification, he thought the white stone above a few "separated" because these lines give a fuzzy picture no, to get the feeling, perhaps because the poet did not pass the aesthetic intuition and dusk peaks, the rain in the westerly chilling agreement. Although "separation" and "no separation" involve readers, it is still a question of the creation of beauty, not the content of the subject of accepting aesthetics, because Wang Guowei has not discussed such a problem,

　Is the work of the A separate from the B? Or today, readers feel separated, and tomorrow will not be separated from reading it? Therefore, "separation" and "do not separate" research is still related to the poet's self-cultivation. In addition to maintaining a poet to experience life in the universe, to utter innocence natural tongue to say, also asked the poet as far as possible the use of simple language to describe the beauty of nature. Wang Guowei stressed in the "Taibai meteorological wins a eight" on this issue, in addition to the thirty-fourth said: "little tour" building even garden "and" embroidered hub carved saddle ", so the Dongpo also ridiculed." Dongpo are ridiculed is "Thirteen words only said a man riding in front of the building". Wang Guowei asked for "no decoration"". 17 (P40) in the practice of literary criticism, "every" divided "and" not necessarily of poetry for the overall evaluation, with a sentence as a unit, the words "undivided" may be late "separation", such as the fortieth, he said:...... As Ouyang's "youth swam" Wing Chun grass half que cloud: "with twelve only by spring, sunny far Bi lian. Tens of thousands of miles, in February March, Xingse bitter sorrow." The language is in the present, is not separated. To the cloud: "Xie Jia Chi, Jiang Yanpu pan." Each other. [17] (Tong 8) so, Jiang Baishi is also some poetry "separation", some poems "do not separate"". "Separation" and "do not separate" are not diametrically divided, there are "separation" and "no separation", there is "a little separation", while "no separation", there are "depth, thickness" of the difference". [17] (jump 8) generally speaking, people can feel the beauty through aesthetic intuition, that is "no separation", or else "separation"". How does a "little separation" exist? This, I think, is confined to works of art. The poet's creative process whether there is reason in the play, Wang Guowei did not answer, I think there is a poet, feel the natural beauty is intuitive, "does not involve logic, readers appreciate works is intuitive, but the intuition object readers and poets

　The intuition object is different, the object is the natural beauty of the poet's intuition, so without the aid of concept, and the reader into the realm of intuition is not as natural as direct presentation of intuitive understanding to readers, but implicit in the works, on the surface, this works only text symbols, symbols into a realm the process, namely: the transformation from text symbols for concept by concept in human consciousness in the synthesis of "image", this image is the aesthetic form, only when the psychological structure of it and people coincide, to reach the realm of readers. After the poet in the sense of beauty, must use the concept to the poet intuition to beauty into work, and this concept in the reader, and must be melting away in the image, is the so-called "like to forget", if the poet in the natural beauty into the works, which used to express the beauty of language affects the readers feel, this influence will show the difference, which is "separated", "slightly separated" and "undivided" not. In a word, the concept of "separation" and "no separation" are based on the degree of human aesthetic intuition, and play an important role in the art of beauty. References: 1 Fan Wenlan. Note M Dragon carving and the literary mind. Beijing: People's Literature Publishing House, 1958., 2. Twenty-four: Tu Tang poetry A. Full Tang (Nineteenth volumes) C. Beijing: Zhonghua Book Company, 1960. - 3, Ming: A the way. Tang Changtai. Selected works of three C. Chengdu: Bashu publishing house, 1988., 4 yuan. The history of the Song Dynasty: Tuotuo M. Beijing: Zhonghua 1985., 5 "Qing Feng Zhen Luan. Read on A. Zhang Liao. Maihe Strange Tales from Liaozhai (three of the C) Shanghai: Zhonghua Book Company, 1962 + 6, Ming Wang Fuzhi. The book in Chuanshan? Cable network M. Changsha: Yuelu publishing house, 1996. - 7. (note the Wang Wang Three volumes] [M]. Shanghai: Shanghai Ancient Book Bookstore, 1983. [8] [moral] Kant, critique of judgment [M]. Zong Baihua's Translation

　Beijing: the Commercial Press, 1987. - 9 Zhu Qianzhi. Lao Tzu annotations M. Beijing: Zhonghua Book Company, 1984. - 10, Qing Guo Qingfan. Chuang-tzu set M. Beijing: Zhonghua 1961.9, 11 Buddha young school Ser. Wang Guowei philosophy aesthetics collenction C3. Shanghai: East China Normal University 65 WanFangDATA press, 1993. - 12 Zhu Guangqian Zhu Guangqian aesthetic essays C. Shanghai: Shanghai literature and Art Publishing House, 1982. - 13. Ye Jiaying M Wang Guowei and his literary criticism ". Guangzhou: Guangdong people's publishing house, 1982. - 14. Li Zehou A. On the artistic conception of Yao Ke Fu." human words "and compilation of comments C. Beijing: a bibliography of 1983. press, 1 5 Ye Lang. China aesthetic history outline M. Shanghai: Shanghai people's publishing house, 1985. 16 Li duo. On Wang Guowei "poetry" in the realm and asked several J related concepts. Journal of Nanjing University of Science and Technology, 2004, (4). 17. Wang Guowei renjiancihua A Teng Hui Xian. Renjiancihua. New note (Revised Edition) C. Shandong: Qilu press, 1986. (editor Zhou Junwei)

　(responsibility for proofreading Xia Qiliang) WANGGuo - wel SConceptofGapandUngapLIDuo (ChineseDepartmentofPekingUniversity, Beiiing100871, China) Abstract:TheconceptofGapandUngapinWANGGuo - Wei SRenjianCihuanestablishedforthegradeofhumanintu - itionplaysanimportantroleinthetheoryofarts.Keywords: aestheticintuition G; " AP; Ungapo - O - < > > - < < -, - (- >, < < (-, -, - < > - < < < >, - - - - < <), < < - >, < -, -, - Journal of CABR Minhong professor was elected executive director the Fifth National Journal of Social Sciences Association, elected member of the Chinese Journal of Humanities and Social Sciences Institute of Guangdong University of Foreign Studies, "international economic and trade research" undertaken by the editorial department of "Chinese humanities and Social Sciences Institute of the Fifth Congress in November 8 to 11 in Guangzhou City, held at the Guangdong University of Foreign Studies. The leaders of the China Society of Humanities and Social Sciences and nearly 200 members of the journals from more than 150 colleges and universities across the country attended the conference. The Central Propaganda Department, the Ministry of education, the Propaganda Department of the CPC Guangdong Provincial Committee, Guangdong provincial education department and other relevant departments attended the meeting and made an important speech, the role of journals in the humanities and Social Sciences in the construction are researched, pointed out the development direction of the. The conference heard the work report of the fifth member congress of the society of Humanities and social sciences of China, and made a special academic discussion on the construction of the title of journal and the prosperity of philosophy and social sciences. The experts believe that the journal should break the restrictions on campus walls and open the door for publication. Academic periodicals should correct the current academic impetuous style of study, and oppose academic plagiarism and plagiarism. The journal should also attach importance to the establishment of chapter construction system and the implementation of the two-way anonymous evaluation system, and carry out the "three trial" system for manuscripts, and strictly control the quality of journals. The meeting elected a new director, executive director and working team, and presented prizes to the advanced workers and units. "Journal of Peking University professor Xietao dragon was elected the Fifth National Journal of Social Sciences Institute director. Professor Xiao Hong, editor in chief of the Journal of the Institute of education, was elected director of the liaison center of the Journal of the National Institute of education, and the Journal of our hospital was elected as the governing body.

　66. (Journal Editor) Wanfang Data Author: Li Duo

　Department of Chinese language and literature, Peking University, Beijing 100871, China

　Journal of:

　Journal of Henan Institute of Education (PHILOSOPHY AND SOCIAL SCIENCE EDITION)

　English: JOURNAL OF HENAN INSTITUTE of OF EDUCATION (PHILOSOPHY AND SOCIAL SCIENCES)

　Volume (period):2004,23 (6)

　Citation: 1 times 1. Wang renjiancihua 1986

　2. Li duo of Wang Guowei < renjiancihua > and state several concepts "related journals - Journal of Nanjing University of Science and Technology 2004 (4) 3. Ye Lang Chinese aesthetic history outline 19854. Li Zehou 19835. Ye Jiaying Wang Guowei and his literary conception on the 19826. Zhu Guangqian Zhu Guangqian collection of 19827. young Wang Guowei Buddha aesthetic philosophy and aesthetics the compilation 19938. Guo Qingfan Chuang-tzu Zhu Qianzhi 19619. annotations criticism Lao Tzu annotations 198410. Kant 198711. Wang Guowei Wang Guowei Zong Baihua; critique of judgment manuscripts (third volumes) 198312. Wang Fuzhi book - in Chuanshan funicular 199613. Feng Zhen Luan think reading on 196214. Liaozhai Song History in the 198816. Tuotuo 198515. Yuan Zongdao 196017. Fan Wenlan twenty-four poeticstyles Tu 19581. seedlings. Yanyun Luo Wen Xin Diao Long" Realm Theory and landscape renjiancihua ". The artistic conception of Guangdong [J] Garden 2008 (1) this article links: /Periodical_hnjyxyxb-zxshkxb200406013.aspx

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