【用相机记录这片深爱的土地】 深爱这土地是什么歌
时间：2019-04-04 03:11:13 来源：雅意学习网 本文已影响 人 
“我深爱这片土地，我愿意用我的双脚，奔走于祖国山河之间。我愿意用心去感受，用镜头去记录，用图片去传达祖国山河的美。”这是今天，一位摄影家同样走遍中华南北后说出的话，他用一幅幅的宽屏摄影作品，道出了自己的艺术追求和创作心声。
摄影师名叫倪益瑾，今年已是一位73岁的老人。曾经担任中央机关和国家烟草专卖局要职的他，2002年从工作岗位上退下来之后，马不停蹄地奔走于祖国大江南北从事摄影创作。十年的时间里，积累了几千幅作品。
十年辛苦不寻常，当倪益瑾回眸这些年来从事摄影创作走过的路时，数十张精品中的精品照片就被挑选出来，拉开了摄影展的序幕：今年6月13日至19日，“祖国万岁—倪益瑾风景艺术摄影作品展”在浙江图书馆举行。展览精选的72幅倪益瑾的作品，内容涵盖全国各省（区）、市，包括港、澳、台地区。参与本次摄影展筹备工作的浙江省摄影家协会副主席、秘书长周润三评价说：“这些作品是作者以自己独特的审美视角展示祖国河山、自然特色和影像文化之美，是自然与人文教化高度和谐的精品佳作。”
在浙江图书馆，摄影展的布置和开幕式，给人的第一印象就是朴素，大方。没有台花、胸花、花篮，更没有热闹繁琐的仪式，整个过程都传递出一种环保信息。旁人告诉我，这摄影展馆的布置，就是倪益瑾的一贯作风。
曾经接待过倪益瑾的浙江省烟草专卖局员工回忆说，当年的“倪局长”是个毫无架子的人，下来考察工作，总是喜欢和普通员工一起吃食堂饭。对于摄影，当年还在任上的他就是个十足的“发烧友”。在西湖边摄影，为了得到一个荷花的仰角镜头，可以趴在地上按快门，有的员工看到了，甚至觉得不可思议。
见到倪益瑾后，我更感受到了他谦和的长者的风度——待人彬彬有礼，说话简洁而又谨慎。对于举办这次摄影展的初衷，他是这么说的：“我是祖国的儿子，是祖国培养我上学工作。可以这样说，我对祖国一直有着感恩之心。正是心中充满了感恩，才让我在退休之后，有了走遍祖国山河的动力。摄影不仅是我的一种个人爱好，也可以说是我报答祖国母亲的一种方式吧！”
《中国摄影年鉴》主编高建生说，每看一次倪益瑾的作品，都会有一种不同的感受。他的作品不仅表达了对祖国的强烈的爱，而且体现出一种意境，面对景物抒发一种特有感悟。
在影展现场，一名来自中国美院的学生也对我说了观看本次影展的感受：“这些作品命题端庄，内容丰富，布局严谨，遵循了传统绘画的对立统一规律，因此具有恢弘的气势，表达出作者对这片土地的深爱，也激发了观众对祖国的热爱之情。”
听到这些不吝赞美之意的话语，倪益瑾并没有沾沾自喜，而是谈起了他的摄影心得：“在拍摄的过程中，我是一边学习，一边摸索，完全是一种感觉。我年轻的时候，就喜欢阅读、喜欢音乐和绘画。我以前因为工作原因，经常到世界各地出差。在飞机上，我会戴上耳机听贝多芬、莫扎特的音乐。我会趁休息时间，到各地博物馆看画展，比如西方油画，各种流派的都看，什么抽象派，印象派。我退休以后，订阅了许多摄影方面的书籍报刊，学习摄影技巧。因此在摄影中，我会用这些积聚的知识，加上我自己的思考，等到一个合适的时机，然后按下快门。”
凭着这股对摄影的热情，倪益瑾的每幅作品，几乎都有一个故事：作品《故宫角楼》，是他冒着被暴雨淋湿的可能拍到的；作品《张家界》，是他在当地农民家住了12天后拍摄到的；作品《纳木错》，是他在与百姓拉家常中感悟到的……如此等等，不一而足。
据悉，本次“祖国万岁——倪益瑾风景艺术摄影作品展”是继去年8月在北京成功举办后,4至6月在南宁、合肥、南京、南通、杭州、上海巡展中的一站。接下来，倪益瑾还会带着他的作品在上海举办最后一场活动，并把所有照片赠送给上海烟草博物馆，让喜欢摄影的人今后随时都能看到。
Retired PhotographerDisplays Nature Photos
By Qi Yongye
The 73-year-old Ni Yijing, a retired official of the State Administration for Tobacco Monopoly, has long since established himself as a preeminent photographer, as testified by his solo exhibition at Zhejiang Library from June 13 through 19, 2012. The 72 exhibits recorded his aesthetic and spiritual journeys through four municipalities under the direct jurisdiction of the central government, twenty-three provinces, five autonomous regions, and two special administration regions of the country.
The 72 photos were selected from thousands of photos Ni took over the past ten years. Before he retired in 2002, Ni had been an enthusiastic photographer. Then over the past decade, he has traveled extensively as a full-time photographer in his tireless quest of visual beauty.
His enthusiasm started long before retirement. As a high-ranking official of a national government agency, he traveled extensively across the world and these numerous visits to foreign countries opened his eyes to western art in museums and galleries. He captured many a beautiful moment on camera. He was eclectically exposed to western arts. Since his retirement, he has been omnivorously reading books and journals on photography, gaining insight into professionalism, harvesting professional tips, sharpening his vision, and pushing back his aesthetic horizons. All these theoretical and professional studies have helped him make increasingly better photos.
Every landscape photograph on the exhibition tells a story. “Watchtower of Forbidden City” was taken at a moment when a fierce storm was about to hit. “Zhangjiajie” is a photograph that Ni named after the famous scenic attraction in central China’s Hunan Province. He clicked the shutter after a long wait of 13 days. “Namucuo,” a photograph named after a sacred lake in Tibet, an inspiration that came to him after a long chat with local residents.
This exhibition in Hangzhou was part of Ni’s road show started in Beijing in August 2011. The road show includes exhibitions in Nanning, Hefei, Nanjing, Nantong, Hangzhou and Shanghai. After Hangzhou, Ni will hold an exhibition in Shanghai. After the completion of the show, all the exhibits will be donated to Shanghai Tobacco Museum.
